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HBO Stands Aalone Against Emmy Split Proposal

HBO Stands Aalone Against Emmy Split Proposal

HBO stands alone against Emmy split proposal
HBO stands alone against Emmy split proposal

The major broadcast networks are serious about splitting the Primetime Emmys into two shows, and they have support among cable networks who share a frustration about HBO so thoroughly dominating the longform categories and the event’s third hour.

One show would honor all series and air on broadcast, while the other would recognize the TV movies and longform projects that run on cable, like HBO’s “Temple Grandin,” which went 5-for-5 at the Emmys on Sunday night. The broadcast version would use the time gained to become a more entertainment-oriented program.

The Academy of Television Arts & Sciences’ contract with the Big Four broadcasters to air the Emmys expired with Sunday’s telecast.

Supporters of maintaining it a single show counter that without HBO, the Emmys would lose such marquee talent as Al Pacino, Claire Danes and Tom Hanks — film stars who attended the Emmys this year only because they worked on HBO telefilms.

“It’s a little bit like crying over your own inadequacies,” said Barry Levinson, who directed “You Don’t Know Jack” for HBO. “[Broadcasters] used to do longform. They stopped. So it’s hardly fair for them to say, ‘Gee, now that we don’t get our Emmys, we’re upset.’ It’s hard to have any sympathy over things they abandoned because they’re charting another course.”

“Jack” executive producer Steve Lee Jones also is against a split.

“HBO is spending serious theatrical budgets on cable TV movies,” he said. “Instead of people pointing a finger at them and trying to exclude them, [HBO] should be rewarded for it. If others would follow suit, we’d have more quality programs.”

An HBO spokeswoman would say only that the network will “let the work speak for itself.”

Others see hypocrisy in the potential split.

“It would be a shame for the networks to make this divide when a few years down the line they may decide they want to be making miniseries and longform again,” said Gary Goetzman, Hanks’ producing partner at Playtone, which produced “The Pacific” with Steven Spielberg. “Who knows how they’ll feel in years to come? But it is HBO that is getting the short end of the stick (now) if they move them off to another show.”

“Pacific” led all programs with eight Emmys this year.

A top broadcast executive told THR that it has become “ridiculous” to watch HBO win with shows that have a far smaller audience than broadcast fare.

“It’s not that cable series aren’t as important,” the exec said. “They are. But look how much HBO spent on ‘The Pacific,’ like $200 million. It is preposterous this [Emmy] show deals so much with forms dominated by HBO and a few others. It slows down the show and is not particularly relevant to what is going on right now in the rest of television.”

The broadcaster wants the Emmys to evolve in the same way that the Grammys and Tonys have — becoming as much about entertainment as kudos.

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